BLOB Man-to-Man Offense4 min read

Box Gate

Watch this play in motion

Open the set on the board and press play to see every cut, screen, and pass animate step by step.

Part of the Box Gate family β€” see the other reads off this same set.

Box Gate layers three different screens on top of each other β€” a back screen, a gate screen, and a cross screen β€” so that even if the first two reads are covered, the center ends up sealed deep in the post with the ball on its way to him.

Setting Up in the Box

Start in a box formation. Put your best shooter on the weak-side low block, your best post-up threat on the weak-side elbow, and have the point guard inbound the ball.

The Back Screen

The shooter sets a simple back screen for the center, who cuts hard to the rim looking for the ball. This is a genuine first look β€” the point guard should hit it immediately if the defense is caught flat-footed.

The Gate Screen

The instant that back screen is set, the shooter sprints through a gate formed by the two remaining players and pops out to the wing for a catch-and-shoot. The two gate-setters have to time their arrival together β€” moving too early tips the defense off to what's coming.

The Cross Screen Finish

After screening, both gate-setters clear out to the top of the key, and the point guard β€” now empty-handed after the inbounds pass β€” steps in from the baseline and sets a cross screen. The center uses it to duck in and seal deep position on the ball-side low block for the easy score.

Coaching Points

The point guard should be the one to inbound the ball specifically so that the eventual help defender on the cross screen is a smaller player, not a true rim protector.

The gate-setters must arrive at the exact same moment the shooter is ready to sprint through β€” arriving early or late defeats the purpose of the gate.

Any pass to the shooter coming off a screen should go to his inside shoulder; a pass to the outside makes the catch-and-shoot far harder to execute.

Key Takeaways

  • β€’Set up in a box with the shooter on the weak-side block and the point guard inbounding.
  • β€’The back screen for the center is a live first option, not just a decoy.
  • β€’The gate screen requires the two screeners to arrive in perfect sync with the cutter.
  • β€’The point guard becomes a screener himself after inbounding, setting up the cross-screen finish.
  • β€’The play is designed to have a real answer at every layer β€” back screen, gate, then cross screen.